/html/../gallery/large/SeylynnLights1.jpg afc6367ea5322d170eea61abec24111a /html/../gallery/large/SeylynnLights2.jpg 4c0a8d17b40b1b61a5ce15534707e3c9 /html/../gallery/large/intro-01a.jpg e58ebbc25c0acd431d9f57f2616f3d0f /html/../gallery/large/_MON6924.jpg 801d3854257df527105d46064ec39659 /html/../gallery/large/_DDB9931.jpg fea98d7dce9da43f7f9e7dcf9f7c6d18 /html/../gallery/large/KGI-GS-027.jpg 83fe4d4743962bc0c61e68fd21ce9e15 /html/../gallery/large/_GRU8468-DISTENCE.jpg 46aaa33a200e2216e3760478d0f60624 /html/../gallery/large/distence2.jpg 645ac93db827114fe5ed8dc1c2f9c4b1 /html/../gallery/large/distence4.jpg a1bb96484a2b22941ee991fcb684ad6e /html/../gallery/large/assembly2.jpg a36eb7bb1ec7111f26cfb91f2f822a44 /html/../gallery/large/assembly4.jpg a104a0b92463f1cf3c449d4524121b01 /html/../gallery/large/1donesized.jpg 86afaf19810214b880e1d09d06072897 /html/../gallery/large/2donesized.jpg 8669f6b9dada14c67ccb184fd6cf1cdd /html/../gallery/large/3donesized.jpg b1e0a2844112be7bf8d03e3154cfc95c /html/../gallery/large/9donesized.jpg 00d0258224bd474ace0d6323eef8ce4b /html/../gallery/large/tube3.jpg 4689459418a706b6fc25d0b95158f146 /html/../gallery/large/zone3.jpg c22cb25eb87199b1aa73c2e95c2f6499 /html/../gallery/large/zone7.jpg 9eff5604cfa13daf23d856e4b6fa35d4 /html/../gallery/large/kg09-2.jpg 3c666644bea5124e8cf945c4f60f2781 /html/../gallery/large/kg10-2.jpg e84e5f55f36436602a00388d9491a01d /html/../gallery/large/NYC-2006-1.jpg 37b9bb5bed808e9723c7a420c209b167 /html/../gallery/large/via1.jpg 15ad28f5b93ddf19b1669d0a2a39d9c6 /html/../gallery/large/via5.jpg b81d96f257b787f9edbb95692a587305 /html/../gallery/large/via6.jpg 85579761f1b78d923ee3864997365af6 Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary 2010 Applied Arts Photo Annual selection - Architecture /html/../gallery/large/H-101.jpg 6c7ee1de53af46144b5037c121cb0afd Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC0339.jpg 6f15b8756a4873eb720130ee3f490489 Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/DDB8790final.jpg cd6884f323b6702ec1365fb3642cfa35 Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC9849.jpg db3797b4ce7af29aa41b09c19203872a Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC7416.jpg 59029d94065c76ea37165a4491c24bfc Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC8340.jpg 483ba7c64ba1fd8bfabdd3982d3202af Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC7980.jpg 7a9e0af19ffe62a61f636e7e6fddb3c7 Project: Vancouver Convention Centre Client: DDB Canada - Karacters Design Creative Director: James Bateman Art Director: Dan O'Leary /html/../gallery/large/_VCC2400.jpg c1c7889c2bc4a2b444e890e9d5e44c1c Seattle Central Library Architect: Rem Koolhaus The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on Sunday, May 23, 2004. Rem Koolhaas was the principal architect and Hoffman Construction Company of Portland, Oregon was the general contractor. The 362,987 square foot (34,000 m²) public library can hold about 1.45 million books and other materials, features underground public parking for 143 vehicles, and includes over 400 computers open to the public. Over 2 million individuals visited the new library in its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and Madison and Spring Streets. The library has a unique, striking appearance, consisting of several discrete "floating platforms" seemingly wrapped in a large steel net around glass skin. Architectural tours of the building began on June 5, 2006. /html/../gallery/large/1.jpg f3ccdd27d2000e3f9255a7e3e2c48800 The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on Sunday, May 23, 2004. Rem Koolhaas was the principal architect and Hoffman Construction Company of Portland, Oregon was the general contractor. The 362,987 square foot (34,000 m²) public library can hold about 1.45 million books and other materials, features underground public parking for 143 vehicles, and includes over 400 computers open to the public. Over 2 million individuals visited the new library in its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and Madison and Spring Streets. The library has a unique, striking appearance, consisting of several discrete "floating platforms" seemingly wrapped in a large steel net around glass skin. Architectural tours of the building began on June 5, 2006. /html/../gallery/large/2.jpg 156005c5baf40ff51a327f1c34f2975b /html/../gallery/large/vestibule.jpg 780197c97860ee1266a99a474ea36f40 /html/../gallery/large/Untitled-1.jpg e06d061a77a7bde916b8a91163029d41 /html/../gallery/large/_MON6595.jpg 5bc9cf9394616c788e5b6142f0f5eaa4 /html/../gallery/large/_GRU7671-crop.jpg 7d279aa787c92f44a8bad6e7957a7181 /html/../gallery/large/mycity0.jpg ba6ff37f886588670a721fb1c6fd56fa /html/../gallery/large/mycity4.jpg 3df7101276a50b98667063b731911efd NEXT is a series of exhibitions on emerging artists from the Pacific Rim, curated by the Vancouver Art Gallery. The project follows an invitation by the VAG for an exhbition of the work of LWPAC and to develope a new prototype for a gallery space that will compliment and accommodate the complexities of new media artworks produced today and yet will be unique and distinguishable from the architecture that defines the other galleries. Project by: LWPAC, Lang Wilson Practice in Architecture Culture Oliver Lang with Alayne Kaethler Project Sponsors: Vancouver Art Gallery, Vancouver BC UBC School of Architecture, Vancouver BC W.S. Tyler, St. Catherines ON Scenic Sollutions, Surrey BC Fast+EPP Engineers, Vancouver BC Materials used: basic plywood, pet-g, stainless steel wire mesh, high density machining foam /html/../gallery/large/15.jpg db3a17f7bcac837ecc1fe2bc630a5473 NEXT is a series of exhibitions on emerging artists from the Pacific Rim, curated by the Vancouver Art Gallery. The project follows an invitation by the VAG for an exhbition of the work of LWPAC and to develope a new prototype for a gallery space that will compliment and accommodate the complexities of new media artworks produced today and yet will be unique and distinguishable from the architecture that defines the other galleries. Project by: LWPAC, Lang Wilson Practice in Architecture Culture Oliver Lang with Alayne Kaethler Project Sponsors: Vancouver Art Gallery, Vancouver BC UBC School of Architecture, Vancouver BC W.S. Tyler, St. Catherines ON Scenic Sollutions, Surrey BC Fast+EPP Engineers, Vancouver BC Materials used: basic plywood, pet-g, stainless steel wire mesh, high density machining foam /html/../gallery/large/16.jpg 85b6f89b41cae26786ac72365fff771b PROJECT: Balloon Caught 2005 ARCHITECTS: Satoshi Matsuoka + Yuki Tamura collaboration w/ The Space Agency /html/../gallery/large/17.jpg 64b8299d1597b8a5c7b9cb9c88642f6c /html/../gallery/large/stack.jpg b33bde90901d27dd591e65c12e007fa2 /html/../gallery/large/image-8-done.jpg 7f9d3d965067f7174113a99b88bcbb2d Project: Placer Dome Inc. 2004 AR Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/431PD1_2.jpg de6a4c77120b61eaeec58af070f0016c Project: Placer Dome Inc. 2004 AR Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/4menduob.jpg 85da7d92e8f6a8962ab9738a8219d597 Project: Placer Dome Inc. 2004 AR Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/milloverview2duo.jpg e46d757d2e38589866fc42dd8f1ea348 Project: Placer Dome Inc. 2004 AR Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/underground.jpg 4c4ae916673755c944bc77efc8a3cbee Client: Porcaro Communcations Project: Teck Cominco Art Director: Darlene McLean The Pend Oreille Operations are located in northeastern Washington State near the town of Metaline Falls, U.S.A. Teck owns 100% of the Pend Oreille underground mine. The mineral processing facilities employ conventional grinding and sulphide flotation methods to produce high quality zinc and lead concentrates. The zinc and lead concentrates are hauled by truck to our Trail Operations, located in British Columbia. /html/../gallery/large/_DSC0403.jpg 5d56960c850debce434052894ebb67e0 Client: Porcaro Communcations Project: Teck Cominco Art Director: Darlene McLean The Pend Oreille Operations are located in northeastern Washington State near the town of Metaline Falls, U.S.A. Teck owns 100% of the Pend Oreille underground mine. The mineral processing facilities employ conventional grinding and sulphide flotation methods to produce high quality zinc and lead concentrates. The zinc and lead concentrates are hauled by truck to our Trail Operations, located in British Columbia. /html/../gallery/large/_DSC0341.jpg 790383d5c7fc95f6ccd1e11026a0a0a4 Client: Porcaro Communcations Project: Teck Cominco - Andacollo, Chile Art Director: Darlene McLean The Carmen de Andacollo mine is located in central Chile, adjacent to the town of Andacollo, approximately 55 kilometres southeast of La Serena and 350 kilometres north of Santiago. The mine is located near the southern limit of the Atacama Desert at an elevation of 1,000 metres. /html/../gallery/large/_DSC7191.jpg b6093e4ed76b6a88a19967955c733def Client: Porcaro Communcations Project: Teck Cominco - Andacollo, Chile Art Director: Darlene McLean The Carmen de Andacollo mine is located in central Chile, adjacent to the town of Andacollo, approximately 55 kilometres southeast of La Serena and 350 kilometres north of Santiago. The mine is located near the southern limit of the Atacama Desert at an elevation of 1,000 metres. /html/../gallery/large/_DSC7682.jpg 16cd00e06831e340a94afec27e4195db Project: Placer Dome Inc. 2004 AR Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/lastdump.jpg 764f0cd025f79c419736610902d12442 Client: Porcaro Communcations Project: Teck Cominco - Andacollo, Chile Art Director: Darlene McLean The Carmen de Andacollo mine is located in central Chile, adjacent to the town of Andacollo, approximately 55 kilometres southeast of La Serena and 350 kilometres north of Santiago. The mine is located near the southern limit of the Atacama Desert at an elevation of 1,000 metres. /html/../gallery/large/_DSC7211bw.jpg 0d274c4d163db0eaf7bfb2a31683eee7 Client: Porcaro Communcations Project: Teck Cominco - Andacollo, Chile Art Director: Darlene McLean The Carmen de Andacollo mine is located in central Chile, adjacent to the town of Andacollo, approximately 55 kilometres southeast of La Serena and 350 kilometres north of Santiago. The mine is located near the southern limit of the Atacama Desert at an elevation of 1,000 metres. /html/../gallery/large/_DSC7620.jpg 55d4cebdddb036a882ba039d12b2256f /html/../gallery/large/airplane2.jpg 57c28e465e31bc10c6dd5644d2162734 Project: Finning Int. Annual Report Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/finning2.jpg 7c4e440875f6eb418555e2779a662199 Project: Finning Int. Annual Report Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/_KGI2263.jpg 23ab2b2f60b22668320b2336044ba37c Project: Finning Int. Annual Report Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/finning1.jpg 0d23ab50e19a3b52f71a35dd313d2c44 Project: Finning International Annual Report Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/_GRU7478.jpg cb678fb5a7f7908545748831084ce3cf Project: Finning Int. Employee Success Stories Client: Porcaro Communications Art Director: Darlene McLean /html/../gallery/large/finningportraits.jpg cb60428dcab79093b05101d626b0909e /html/../gallery/large/petro2.jpg ebfd8550594ed0d0a66c13a68150c472 /html/../gallery/large/petro1.jpg 3e25efd26fe2f0e44fc359e3aa487a21 Client: EPCOR Project: Fort McMurray /html/../gallery/large/_FMC2832.jpg d912b123c97d5ed49e6e6244afbf6085 /html/../gallery/large/_GRU2458.jpg 82184537efb0a1bcf01a900e96276bd1 Client: EPCOR Project: Rossdale Water Treatment Plant /html/../gallery/large/_GRU3445.jpg 9a58dfb8fc1bd0c938a2acb0e89d0831 Client: EPCOR Project: Rossdale Water Treatment Plant /html/../gallery/large/_GRU3434.jpg a5b10c4373025cb8bc99e30051e57bb1 Client: Porcaro Communcations Project: BC Ferries Annual Report /html/../gallery/large/bcferries-cover.jpg 04418ed5548a1ee7b692f45ae36f7d02 Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_GRU7610.jpg 52d3ec6c12349765a453bddaa9f805d9 Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF4008.jpg 8e7c6e9c66d78453f1d729a526e9bc40 Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF6344.jpg a33c20c26e6a68e3e024c103db1d0473 Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF4692.jpg 6100c87fb514fd33f9caf2259c797abf Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF6815.jpg e7918f1ff2f4196ae20d6d7c0af4cbbc Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF6303.jpg 3273eeaa7c2de6f9c2ff2e2f911e3688 Client: Porcaro Communcations Project: BC Ferries Annual Report Art Director: Darlene McLean /html/../gallery/large/_BCF6356.jpg 97e1cc1a3eee941e0530e238d284a727 Client: EPCOR Project: Genesee Power Plant /html/../gallery/large/_GRU3145b.jpg 84abe940a43c004964813e3ccc5fd416 Client: EPCOR Project: Genesee Power Plant /html/../gallery/large/_GRU3156.jpg 865414ff924515f8e1a446ee9cb3680b Client: EPCOR Project: Kingsbridge II Windfarm /html/../gallery/large/KG_-1499.jpg 200374e31c843c993a1e2daa125bde6a Client: EPCOR Project: Kingsbridge II Windfarm /html/../gallery/large/KG_1638.jpg 12b23cc8285f7c5b4c77dde0f3444433 Client: EPCOR Project: Kingsbridge II Windfarm /html/../gallery/large/KG_-1330.jpg 6efef3d5c14b065b4f3b1f8c4473b949 Client: EPCOR Project: Goldbar Water Treatment Facility Located on 19.5 hectares, of land in the North Saskatchewan River Valley, the Gold Bar Wastewater Treatment Plant handles wastewater requirements for 750,000 people in the greater Edmonton area. Current treatment capacity is 310 million litres per day. In one year, the treatment volume at the plant is roughly 100,000 million litres - enough to fill 37,000 Olympic-length swimming pools (about 100 a day). Innovation and Expertise Through constant upgrades and innovations, Gold Bar remains at the forefront of wastewater technology. The scientific processes, technologies and equipment that are described in detail below provide a comprehensive look at one of the most innovative wastewater treatment facilities in North America. Gold Bar is also the host site of the Waste Management Centre of Excellence, a research facility. /html/../gallery/large/_GBR3751-final.jpg 0b26a59520e8f331bf3f9e918e3e6276 Client: EPCOR Project: Britannia Water Treatment Facility An innovative water treatment facility is cleaning-up one of North America’s largest sources of heavy metal pollution. For more than 70 years the Britannia Mine has been an ecological concern. Every day, hundreds of kilograms of heavy metals entered British Columbia’s Howe Sound through contaminated acid rock drainage that came from the now abandoned copper mine. In March 2005, EPCOR and its partners signed an agreement with the BC Government to clean-up the mine water. Eight months later, the Britannia Water Treatment facility was up and running. In 2006, the facility treated four billion litres of water and removed over 255,000 kilograms of heavy metal contaminants. The amount of copper removed in the facilities first year of operation is the equivalent of preventing 30 million copper pennies from entering Howe Sound. /html/../gallery/large/britannia-3.jpg 6ec0baa21e9c47c11a7693c1948203b2 Assembly Point (1) - 2002 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/assembly1.jpg c6e038b290b5e8a6c42650a9083ef830 Assembly Point (4) - 2002 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/assembly4.jpg a104a0b92463f1cf3c449d4524121b01 Assembly Point (2) - 2002 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/assembly3b.jpg b61188cc3e094efe53b36026ed41d87b Assembly Point (5) - 2002 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/assembly2.jpg a36eb7bb1ec7111f26cfb91f2f822a44 Distence 1 - 2005 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/distence2.jpg 645ac93db827114fe5ed8dc1c2f9c4b1 Distence 2 - 2005 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/distence4.jpg a1bb96484a2b22941ee991fcb684ad6e Distence 3 - 2005 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/distence1.jpg 91d69bdf9a5332e71c209651d7131bea Distence 4 - 2005 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/distence6.jpg c94bba6b87cf849540491c32bd757c49 Industria 106 1a - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/stack.jpg b33bde90901d27dd591e65c12e007fa2 Industria 106_8 - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/image-8-done.jpg 7f9d3d965067f7174113a99b88bcbb2d Industria 106 1b - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/1donesized.jpg 86afaf19810214b880e1d09d06072897 Industria 106_4 - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/4donesized.jpg 911e3ba7f09c6156e285f90fd09df807 Industria 106_2b - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/INDUSTRIA2.jpg 1be39129cc9f22ccccb193596eb271d0 Industria 106_2 - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/2donesized.jpg 8669f6b9dada14c67ccb184fd6cf1cdd Industria 106_1c - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/industria1.jpg 6069f5ae75aaaacc12265fb66d2fe055 Industria 106_3b - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/tube3.jpg 4689459418a706b6fc25d0b95158f146 Industria 106_3 - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/3donesized.jpg b1e0a2844112be7bf8d03e3154cfc95c Industria 106_9 - 2001 36in x 36in Lightjet Print Edition of 11 Currently priced at $2500 /html/../gallery/large/9donesized.jpg 00d0258224bd474ace0d6323eef8ce4b /html/../gallery/large/bleak1.jpg b553b824903e92bd0b9681b4e345c4dc /html/../gallery/large/bleak2.jpg f0997ecb5fb4854f4c3aa225492474a8 /html/../gallery/large/bleak3.jpg d8caebd0051b190880085da416443806 /html/../gallery/large/bleak7.jpg f9911f219764720ef776a0ebe9537d29 /html/../gallery/large/bleak8.jpg d18c3e8d4812bd16735b90fe42d9e1de Mysterious lights such as these can be found in many folk tales from many cultures around the world. Danes, Finns, Swedes, Estonians, and Latvians amongst some other groups believed that a will-o'-the-wisp marked the location of a treasure deep in ground or water, which could be taken only when the fire was there. Sometimes magical tricks were required as well, to uncover the treasure. In Finland and other northern countries it was believed that early autumn was the best time to search for will-o'-the-wisps and treasures below them. It was believed that when someone hid treasure in the ground, he made the treasure available only at the midsummer, and set will-o'-the-wisp to mark the exact place and time so that he could come to take the treasure back. /html/../gallery/large/SeylynnLights1.jpg afc6367ea5322d170eea61abec24111a Mysterious lights such as these can be found in many folk tales from many cultures around the world. Danes, Finns, Swedes, Estonians, and Latvians amongst some other groups believed that a will-o'-the-wisp marked the location of a treasure deep in ground or water, which could be taken only when the fire was there. Sometimes magical tricks were required as well, to uncover the treasure. In Finland and other northern countries it was believed that early autumn was the best time to search for will-o'-the-wisps and treasures below them. It was believed that when someone hid treasure in the ground, he made the treasure available only at the midsummer, and set will-o'-the-wisp to mark the exact place and time so that he could come to take the treasure back. /html/../gallery/large/SeylynnLights2.jpg 4c0a8d17b40b1b61a5ce15534707e3c9 Mysterious lights such as these can be found in many folk tales from many cultures around the world. Danes, Finns, Swedes, Estonians, and Latvians amongst some other groups believed that a will-o'-the-wisp marked the location of a treasure deep in ground or water, which could be taken only when the fire was there. Sometimes magical tricks were required as well, to uncover the treasure. In Finland and other northern countries it was believed that early autumn was the best time to search for will-o'-the-wisps and treasures below them. It was believed that when someone hid treasure in the ground, he made the treasure available only at the midsummer, and set will-o'-the-wisp to mark the exact place and time so that he could come to take the treasure back. /html/../gallery/large/_CPG0891.jpg 275011c02d254857ce2e107a116eb17c the Zone(3) - 2003 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/zone3.jpg c22cb25eb87199b1aa73c2e95c2f6499 the Zone(4)+(5) - 2003 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/zone5.jpg 89bbe012dd3874b224062a0985979e8d the Zone(6) - 2003 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/zone7.jpg 9eff5604cfa13daf23d856e4b6fa35d4 /html/../gallery/large/_GRU8468.jpg 81f74ae8f250d346dfdaaebc5042aff8 VIADUCT(1) - 2006 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/via1.jpg 15ad28f5b93ddf19b1669d0a2a39d9c6 VIADUCT(3) - 2006 24in x 24in Backlit duratrans in Lightbox edition of 11 Currently priced at $2500 /html/../gallery/large/via3.jpg 2ddc31ca8a04b3bc13553198fcceb230 VIADUCT(4) - 2006 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/via4.jpg b3085012969b28951fcf2c25db6e5430 VIADUCT(5) - 2006 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/via5.jpg b81d96f257b787f9edbb95692a587305 VIADUCT(6) - 2006 24in x 24in Backlit duratrans in Lightbox Edition of 11 Currently priced at $2500 /html/../gallery/large/via6.jpg 85579761f1b78d923ee3864997365af6 /html/../gallery/large/_GRU8479.jpg a90eb3b7a685f0df2e7294f90fd0c765 /html/../gallery/large/kg09-2.jpg 3c666644bea5124e8cf945c4f60f2781 /html/../gallery/large/kg10-2.jpg e84e5f55f36436602a00388d9491a01d /html/../gallery/large/kg11-2.jpg ea0b31289ffe51ed7107b10447112ec7 The Biosphère (45°30′50.73″N 73°31′53.38″W) of Environment Canada is a museum in Montreal dedicated to water and the environment. It is located at Parc Jean-Drapeau, on Île Sainte-Hélène in the former pavillion of the United States for the 1967 World Fair Expo 67. Photos of the Biosphère are frequently included in science textbooks to explain the shape of fullerene molecules, which resemble geodesic domes and were so named in honour of Buckminster Fuller. /html/../gallery/large/_MON6595.jpg 5bc9cf9394616c788e5b6142f0f5eaa4 The Biosph�re (45�30′50.73″N 73�31′53.38″W) of Environment Canada is a museum in Montreal dedicated to water and the environment. It is located at Parc Jean-Drapeau, on �le Sainte-H�l�ne in the former pavillion of the United States for the 1967 World Fair Expo 67. Photos of the Biosph�re are frequently included in science textbooks to explain the shape of fullerene molecules, which resemble geodesic domes and were so named in honour of Buckminster Fuller. /html/../gallery/large/_MON6587.jpg 0106643032fa36df104374176728b215 The Biosph�re (45�30′50.73″N 73�31′53.38″W) of Environment Canada is a museum in Montreal dedicated to water and the environment. It is located at Parc Jean-Drapeau, on �le Sainte-H�l�ne in the former pavillion of the United States for the 1967 World Fair Expo 67. Photos of the Biosph�re are frequently included in science textbooks to explain the shape of fullerene molecules, which resemble geodesic domes and were so named in honour of Buckminster Fuller. /html/../gallery/large/_MON6590.jpg 88edb2244190aa6ff3cc0b2a6dcf76bc The Biosphère (45°30′50.73″N 73°31′53.38″W) of Environment Canada is a museum in Montreal dedicated to water and the environment. It is located at Parc Jean-Drapeau, on Île Sainte-Hélène in the former pavillion of the United States for the 1967 World Fair Expo 67. Photos of the Biosphère are frequently included in science textbooks to explain the shape of fullerene molecules, which resemble geodesic domes and were so named in honour of Buckminster Fuller. /html/../gallery/large/_MON6573.jpg e66d5705d5f677f4020bf9fa367fce4f /html/../gallery/large/mycity0.jpg ba6ff37f886588670a721fb1c6fd56fa /html/../gallery/large/mycity4.jpg 3df7101276a50b98667063b731911efd /html/../gallery/large/_DDB9931.jpg fea98d7dce9da43f7f9e7dcf9f7c6d18 /html/../gallery/large/KGI-GS-024.jpg c47591487ab1dace9e377ac4e2e83162 /html/../gallery/large/KGI-GS-027.jpg 83fe4d4743962bc0c61e68fd21ce9e15 ZYGOTE-Emitting light via internal LED lights, this lightweight helium filled orb responds to human touch – changing colour as it is punched, tapped, slapped or squeezed. With the ability to communicate each touch back to a computer program, zygote can also be used to control and manipulate music and video in real time. Conversely, zygote can be controlled dynamically via computer, making it a stand out piece of decorative light which requires no physical interaction to change colour. This unique ball transforms otherwise ordinary events into multi-dimensional, interactive playgrounds that actively engage audience members in a holistic shared experience. Contact www.tangibleinteraction.com for more information /html/../gallery/large/_ALX0290.jpg a1b63d7b0f062fd1d9d3f6a0633af30e ZYGOTE-Emitting light via internal LED lights, this lightweight helium filled orb responds to human touch � changing colour as it is punched, tapped, slapped or squeezed. With the ability to communicate each touch back to a computer program, zygote can also be used to control and manipulate music and video in real time. Conversely, zygote can be controlled dynamically via computer, making it a stand out piece of decorative light which requires no physical interaction to change colour. This unique ball transforms otherwise ordinary events into multi-dimensional, interactive playgrounds that actively engage audience members in a holistic shared experience. Contact www.tangibleinteraction.com for more information /html/../gallery/large/_ALX0283.jpg 33010ed09bffd271768d6e9fef52f440 ZYGOTE-Emitting light via internal LED lights, this lightweight helium filled orb responds to human touch � changing colour as it is punched, tapped, slapped or squeezed. With the ability to communicate each touch back to a computer program, zygote can also be used to control and manipulate music and video in real time. Conversely, zygote can be controlled dynamically via computer, making it a stand out piece of decorative light which requires no physical interaction to change colour. This unique ball transforms otherwise ordinary events into multi-dimensional, interactive playgrounds that actively engage audience members in a holistic shared experience. Contact www.tangibleinteraction.com for more information /html/../gallery/large/_ALX0309.jpg 80b79a790e9427cf2b0b90fea60c1f9d ZYGOTE-Emitting light via internal LED lights, this lightweight helium filled orb responds to human touch – changing colour as it is punched, tapped, slapped or squeezed. With the ability to communicate each touch back to a computer program, zygote can also be used to control and manipulate music and video in real time. Conversely, zygote can be controlled dynamically via computer, making it a stand out piece of decorative light which requires no physical interaction to change colour. This unique ball transforms otherwise ordinary events into multi-dimensional, interactive playgrounds that actively engage audience members in a holistic shared experience. Contact www.tangibleinteraction.com for more information /html/../gallery/large/_ALX0258.jpg d15545b1df2cd3c1b144c8ee28910b84 Prairie Fire I have early memories of watching these controlled fires from the passenger seat of a car. Fire is often feared, but in nature it plays a crucial role in the rebirth of life. /html/../gallery/large/_MON692.jpg 28ae1cc8c03534db791e88ba027ca188 /html/../gallery/large/_MON6887.jpg 59b9ce2b090ef2fb45db59a100604444 /html/../gallery/large/DSC_0059.jpg 14da43699677b6f7cac8b3f3a8b77b2b /html/../gallery/large/_GRU8332.jpg f8266690c30ccaf9481e5e273ce99b3f /html/../gallery/large/KGI-GS-034.jpg a1a65686d52bccc59df8fe7da97632fe